Isaac Weston
-
'Seasons'
1200mm Diameter
‘Seasons’ suggests a landscape-like composition, with layered metals revealing the effects of time and reaction. These works continue Isaac’s exploration of material, process, and form.
$2,600 -
'Frequency"
1200×1200mm
‘Frequency’ draws on sound waves, using copper and patina to create a visual rhythm that is both structured and organic.
$2,600
Kim Fifield
-
'Intimate herds: the breeding of desire and conformity', 2025
Repurposed book leaves, varnish (w UVLS),
cold wax medium.
1200 x 600 mm
$2,700 -
'Cultivated desire: the intersections of procreation, capitalism and subjugation', 2025
Repurposed book leaves, varnish (w UVLS),
cold wax medium.
1200 x 600 mm
$2,700 -
'Harvested longing: The cultivation of desire and the economy of compliance', 2025
Repurposed book leaves, varnish (w UVLS),
cold wax medium.
1200 x 600 mm
$2,700
This body of work by Kim, “Conformity and Desire: Reflections on the Human Condition”, explores the nuanced relationship between personal desires and societal structures. The works explore the tension between individuality and societal expectations, and the narratives we consume which shape our identities and relationships. By juxtaposing themes of intimacy with those of control and productivity, the series critiques how capitalist frameworks manipulate human connections, reducing complex emotional experiences to mere transactions. Challenging the herd mentality, the collection invites an examination of the sacrifices made to conform, and a re-evaluation of true connection in a world driven by capitalist imperatives.
Nadia Marychuch
-
‘Whāngai #1’, 2025
Whenua-dipped woollen blankets, muka stitching and pounamu.
1100 x 250mm
Whāngai: (verb) (-a,-hia,-nga,-tia) to feed, nourish, bring up, foster, adopt, raise, nurture, rear.Many māori whānau in Aotearoa welcome children into their home as their own (usually a niece, nephew, or grandchild) This is called whāngai. Growing up as a Whāngai (during various points in my life) you can often feel like an extra or even discarded. But that's simply not true. This work is made up of discarded pieces from larger works. With this series called ‘whāngai’ I aim to show that there is great value in all of us, even when it doesn't feel like it.
$1600
Natasha Aiko Cousens
-
'Hand', 2022 & 2023
Embroidered linen, wood, paint, epoxy putty, glazed ceramic.
550 x 740 x 550 mm
Embroidered linen & wooden disc.
$1,320
Frame on display NFS, can be made to commission POA. -
'Forest', 2022 & 2024
Embroidered linen, ceramic, glazes, paint, bells, beads, resin coated rose buds, wire.
620 x 670 x 620 mm
$1,695 -
'Brunfelsia', 2022
Embroidered found apron.
1050 x 650-780 mm
$3,250 -
'Rabbits', 2021 & 2025
Ceramic, paint, embroidered linen. The text is from Lebanese-American poet Kahlil Gibran’s Sand and Foam (1926).
620 x 410 mm
Embroidered linen.
$820Rabbits on display NFS, can be made to commission.
$1100 for the pair.
Sophia Jarlov
-
‘Eclipse Table’, 2023
Sapele, birch plywood, MDF
500 diameter x 700 mm
This table is made of Sapele, a luminous tropical hardwood. The double layered tables are modelled after a bar cart, with clean lines and precise joinery inspired by mid-century modern aesthetics. The viewer is invited to move around it, juxtaposing curves and lunar silhouettes against the crisp lines of the hexagonal legs.
$4,750